▌Hd-720p▌ Blood on Her Name Movie Stream
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Genre Crime, Thriller. Tomatometers 7,9 of 10 Stars. Will Patton. Duration 85Minute. countries USA. Don M. Thompson, Matthew Pope. ええええええ！！！すごいい! 🖤🖤🖤🖤🔥🔥🔥🔥🔥🔥🔥🔥✨. Theres a movie called as you are with the guy from stranger things based in the 90s its pretty good. BLOOD ON HER NAME Search Film, Company, People... This name already exists, do you want to replace this search? Discover the new face of Cinando! We worked hard to enhance your user experience and bring you a modernized version of the premier network for film professionals. Easily navigate Cinando and featured market modes Switch at the top header Switch in all individual company Switch in the 'Search in' sidebar in the results pages Access your personal features Open the ‘My Cinando’ dropdown menu in the right corner of your screen to access your favorite Cinando features. Update your information under the ‘Manage My Data’ section. content 1 content 2 content 3 Next > End X.
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Blood on Her namen mit. Blood on her name yellow veil. If most of you didn't know, Jeannie, the reactor from the fine bros, is in the movie and I'm surprised. Blood on Her Name Overview A woman's panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man's body to his family. Rating Unrated > Production company Rising Creek.
Blood on her name trailer deutsch. Oye more promotion of miscegenation. couple generations of this and there wont be anymore pretty blondes. Blood on her name. Posted on Friday, February 21st, 2020 by Matthew Pope ’s Blood On Her Name is a blue-collar revenge thriller with one helluva hard nose compared to other glamorized action spectacles where consequences don’t matter. It’s homestyle, nasty survival storytelling rooted with family at its core and despair weighing heavy on the viewer’s chest. Jeremy Saulnier comparisons are apt, even if the brutality isn’t as gruesome. I was lucky enough to catch the film at last year’s Fantasia International Film Festival where Pope’s title played to much acclaim, including my full review that praises everything from the film’s unwashable grime to Bethany Anne Lind ’s pain-stricken performance. Today on /Film, we have an exclusive clip that gives you a taste of the kind of cyclical backwoods gut-punchery that awaits Lind’s independent mother. Blood on Her Name Clip What’s revealed is no spoiler, as the body Leigh Tiller (Lind) can be seen transporting turns up early within the film. A woman fending for herself left alone by a deadbeat criminal husband, now embroiled in a small-town catastrophe spread by townsfolk whispers. Leigh’s son Ryan ( Jared Ivers) is on parole, her father Richard ( Will Patton) is the town’s local lawman, and her decision could doom their family name. By decision, of course, I refer to her fit of self-defense that produces the film’s problem corpse. It’s about the transformation that Lind undergoes or lack thereof depending on your perspective. The way Pope nullifies our cinematic definitions of “good” and “evil” suggests that existence is far more complicated. Every character finds themselves propelled by motivations brought upon by another’s actions, all swirling together in this heartbreaking narrative about how it can feel like there’s no escaping circumstantial fate despite fighting tooth-and-nail. Lind the proverbial eye of this no-luck hurricane that leaves a battered and bashed trail in its wake. Blood On Her Name will be released on February 28, 2020, both in select theaters and available on VOD platforms. It’s my polite suggestion that you make this greasy-spoon slice of redemption a priority for the right movie night. Check out the full synopsis below: The dead body lies at her feet, its blood still draining onto the floor. It was an accident, borne of self-defense, but its discovery could have devastating consequences for local garage owner Leigh Tiller and her son. In a panic, Leigh decides to conceal the crime, cleaning the bloody scene and scrambling to dispose of the body. But can she actually disappear a man from the earth— from his family— leaving them forever wondering? As Leigh is torn between her primal instincts and tortured conscience she struggles to keep her sins hidden from her estranged father– a cop with a long history of moral compromise — and from the keen-eyed girlfriend of the deceased. Blood On Her Name is a character-driven thriller that explores questions of guilt, moral identity, and the irrevocability of choices in the direst circumstances. Cool Posts From Around the Web:.
Blood on Her namen. 1:18 Is that Hunter. It's a little familiar to the story The Cellar. Blood on her name 2019 download. Loved it. Blood on her name trailer german. I know I'm gonna cry a river, but I still can't wait to watch this movie. Omg Jackson Rathbone. I love his Horror and Psycho Movies. He is so gorgeous at these kind of Movies.
Why Teacher was Professor taking or something? Oh right. New Johnny Depp movie. Blood On Her Name 83 MIN / 2019 / USA / ENGLISH / DRAMATIC THRILLER A woman’s panicked decision to cover up an accidental killing spirals out of control when her conscience demands she return the dead man’s body to his family. Director: Matthew Pope Screenwriter: Don M. Thompson and Matthew Pope Producer: Don M. Thompson and Matthew Pope Cast: Bethany Anne Lind, Will Patton, Elisabeth Rohm, Jimmy Gonzales, Jared Ivers Festivals: Fantasia International Film Festival, Beyond Fest Download Press Kit View Trailer. If you plan to follow this band you better get neck insurance.
Blood on Her name. This hit me. Cant wait to see it. This is basically a copycat of Pretty Little Liars Dollhouse scenario and that movie with Jeniffer Lawrence called something like The house on the end of the street. Blood on her name trailer. I'm angrily happy to have seen the whole thing in just the trailer.
But Eminem is the Greatest of all times though. Spoiler : She died... If start thinking in drawers, call it deathcore. I almost forgot to like. Camt wait to watch looks dope. Just watched this movie and It was actually good. Check it out if you get a chance.
This girl dies in like every movie she is in lol. Love Rosamand great Actress and Beautiful xx. Blood on Her name registration. I feel like asa butterfield would tackle this character better, though justice seems okay. Whod she bang for this role. Not very attractive for a movie role. Bruh, just read the terms and conditions. Damn, Beck just can't catch a break.
2:34 GODLIKE. Blood on her name movie. There’s an entire sub-genre of slow-burn thrillers centered on everyday people forced by circumstance into a life and death world previously unknown to them. More specifically, the films are about a “good” person” who makes a choice — out of anger, greed, foolishness — that sets in motion a bloody chain of events requiring actions and reactions well beyond their wheelhouse. Two of the best in recent years are Blue Ruin (2013) and Bad Day for the Cut (2017), but in addition to being tales fueled by vengeance they’re also ones about men. Director/co-writer Matthew Pope ‘s feature debut, Blood On Her Name, goes counter to both as it focuses instead on a woman simply struggling to do right by her family, but as a tension-filled and devastating look at the inevitability of consequence it absolutely belongs in the same conversation. Leigh ( Bethany Anne Lind) stands over a dead body in the garage she owns. Blood pools from the dead man’s head, and while she comes close to calling the police, her fingers hesitate over the phone. Her teenage son Ryan ( Jared Ivers) sits afraid and shaken in another room, and with worries about him, painful memories about her own father ( Will Patton), and the fate of her already struggling business swirling in her head, she decides instead to dispose of the body. It’s a decision born from desperation, and it’s one complicated by her own morality — the dead man has a family of his own, and not wanting to leave them trapped in a purgatory of not knowing what happened to him, she instead returns the body to their shed for them to find. No good deed, as they say. Blood On Her Name wisely drops viewers right at the moment of emotional conflict — the dead man, and the choice that will haunt what follows. Leigh’s problems began far earlier, though, and the film slowly teases those origins out across its running time revealing her to be a character more informed by her past than defined by it. Some of her issues come as a package deal with being a woman and a daughter, but while they try to pull her backward it’s her ferocity and determination as a mother that keeps her fighting forward. Pope’s script (co-written by Don M. Thompson) accomplishes this dynamic best through conversations between friends, family, and strangers, but it stumbles slightly with a handful of flashbacks that struggle to fit the film’s otherwise starkly pragmatic tone. We’re grounded in Leigh’s reality, a world smeared equally in blood, tears, and grease, and lucid dreams/memories that see her alongside her younger self feel too far removed. They’re a minor distraction, though, as they’re both infrequent and overshadowed by the rich character interactions revealing far more effectively the weight of family and history. Leigh’s relationship with her father is especially telling as the source of much of her trouble, but the film wisely refuses to lay it all at his feet. It isn’t pointing fingers, and while Leigh is tempted to she’s instead compelled to accept her own role in this current predicament. As with 2008’s Frozen River, this isn’t a film about a female victim as it’s instead the story of a complex woman weighed down by choice and consequence. Decisions made by the men in her life have undoubtedly helped shape her, but it’s her own that carry the ultimate weight. Both the script and Pope’s direction avoid flashiness preferring instead to let tensions and anticipation simmer on their way to outbursts both verbal and violent. Dialogue is economical at times, and while the necessary details come through, the bulk of their power comes packed in exchanges between Leigh and her father. Lind and Patton both give achingly controlled performances here as a daughter and father marked as deeply by their shared trauma as by their individual sins, and while dialogue provides the details it’s their faces that tell the story. Patton’s no stranger to intense characters, and it’s once again a factor here as his attempt towards mending past transgressions only serves to ratchet things up further. Similarly, Lind plays Leigh as a woman brought her through forces beyond her control — but trapped here through actions of her own. The title is as applicable to her family name as it is to given one, and as she cycles through anger, resentment, guilt, and love, Lind’s portrayal reveals a woman hellbent on salvaging the scraps of her life and a future that she may not even be a part of. Guilt, PTSD, and a desperate desire to avoid a cycle of violence make for a powerful combination, and Lind makes her a woman worth caring about instead of one worth pitying. One quick note… Leigh’s choices throughout the film are the kind prone to critical scoffing — “that’s dumb, I’d never do that” — but as with the other films mentioned above they’re the kinds of choices made by real, average people in desperate situations well beyond their wheelhouse. It’s easy to point out “dumb” decisions on the screen from the comfort of our couch, but the only thing that matters is whether we believe these characters would make these choices under these conditions. Leigh’s situation is clear, her options are ugly, and she’s fueled by a single-minded goal. We believe her, and what follows is all the more tragic because of it. Blood On Her Name is a beautifully told tale of family, crime, and the price we sometimes pay for both. Elements here are shared with other, similar films featuring unprepared people in unfamiliar situations, but it stands as part of a very select grouping of movies that focus on a woman’s perspective. It’s ultimately a sad film, one infused with suspense and humanity, but that female perspective carries through to the very last line as an unexpected and haunting expression of guilt and concern.
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